And speaking of the hallowed halls of Pixar, here is a great link to a Brad Bird treatise on dynamic image composition that is equally relevant to live-action as it is to animation. Strangely enough it was apparently created for "King of the Hill" - not a show that readily springs to mind when I hear the words "dynamic composition."
The big take-away from Bird's mini-manifesto:
- Lower the camera angle/raise the horizon for more dynamic shots.
- Keep away from parallel lines - they tend to make for boring images.
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